• Got a Eurogamer account? Your details will work here too!

  • Need an account?

    Create an account. They're free!

  • Forgotten your login details?

    Recover your account here.

Capitalizing on a Lucky Break With Pokémon Snap

Nintendo's RPG-turned-global-phenomenon helped keep things looking rosy in tough times.

By Jeremy Parish. Published 3 months ago

Nintendo built its '80s console empire on a foundation comprised of two elements: Great software and cunning business practices. The former made the company a lot of fans, and the latter made them a lot of money... but not a lot of allies.

By the time the Nintendo 64 console had reached its middle age, most of the third-party publishers that once graced the NES and Super NES with games both good and terrible had jumped ship in search of more fruitful ways to do business. Nintendo's strict licensing terms, self-centered publishing policies, and determination to stick with the cartridge format in the face of an industry-wide shift to CD media turned N64 into a ghost town even as a record number of games appeared on Sony's PlayStation.

The N64's carts may have been an artistically motivated choice -- Nintendo's designers supposedly wanted to avoid the lengthy loading times that affected CD-based games -- but they amounted to business suicide. They offered incredibly limited storage space compared to CDs; they raised the costs of development (simply porting Resident Evil 2 to N64 cost a million dollars in an era where top-tier games rarely cost more than $2-3 million); and they caused N64 games to retail for $20-40 more than comparable PS1 games. N64 was bad business for everyone, including Nintendo... and it came right on the heels of the disastrous Virtual Boy.

"Well, Pikachu, I like classical music, books, Italian cuisine, and long walks on the beach."

Yes, the late '90s were a dark time for Nintendo, which a mere decade before had clutched the whole of the console gaming industry in a vice-like grip. The N64 era could have been the end of the legacy that began with the NES if not for a massive lucky windfall: The wild, runaway success of Pokémon. An unassuming role-playing game that launched quietly in Japan in 1995 for the slowly fading Game Boy handheld, Pokémon snowballed into a juggernaut through word of mouth. By the time Nintendo and Game Freak had reworked the patchy Japanese original for international release, three years later, Pokémon was a brand consisting not only of a game but also of toys, cartoons, cards, and more -- all of which arrived in concert with the Western versions of the game. The simultaneous onslaught sparked an instant global hit, selling millions of games and untold amounts of merchandise. While Nintendo didn't exclusively own the Pokémon brand, they held enough of a stake to rake in a huge fortune from the franchise's international popularity. That windfall helped keep things in the black for the company even as its marketshare shrank. And it had a side benefit, too: The Game Boy, that aging and technologically primitive handheld, suddenly got a new lease on life.

Nintendo was quick to take the Pokémon series beyond the limited bounds of the Game Boy. While the core games have remained handheld-based to this day, the character-driven nature of the franchise lent itself to any number of interpretations. On one hand, you had something like Pokémon Battle Stadium, which reduced the RPG concept down to a series of arena-based battles. On the another, you had the far more intriguing Pokémon Snap.

Pokémon fans have clamored for the core RPGs to come to consoles for as long as the franchise has been around -- some feel the series is too good to languish in the "handheld ghetto." Snap disappointed those players by very decidedly not reproducing the RPG design of Pokémon Red and Blue on N64. It's a very different kind of game -- and, truth be told, a far more memorable one than a mere graphical overhaul of a Game Boy adventure would have been.

Truly, an electrifying experience.

The idea behind Pokémon Snap wasn't really to go on a grand adventure in the world of Pokémon. Instead, it focused on the creatures themselves in a highly restrictive format that nevertheless demanded high-level play. Game Freak had created 151 unique monsters for their game, but in practice they amounted to little more than a collection of statistics for combat with the occasional in-world cameo for the sake of window dressing. Snap turned the focus entirely away from fighting, giving fans a glimpse of how pokémon behaved in the wild and how those wild combat powers translated into more mundane situations.

Snap's appeal came from the same place as that of the pokémon anime: It took the games, whose universe and characters were depicted with monochromatic minimalism, and rendered those concepts in more elaborate detail. Unlike the cartoon, however, Snap wasn't shackled to the misadventures of a dopey kid and his pet rat. Instead, it allowed players to enter the world of Pokémon for themselves and see the creatures interacting on their own: A virtual safari full of fantastic beasts.

Just as Pokémon Red and Blue could only really work on Game Boy -- this was around the time NCL President Hiroshi Yamauchi excoriated RPGs for appealing to shut-ins, putting his money where his mouth was by offering an RPG that actively fostered socialization through Game Boy's portability and connectivity -- so too could Snap only have worked on N64. The cramped confines of a cartridge wouldn't have been sufficient to contain games as expansive as the Pokémon RPGs in proper 64-bit 3D, but they had more than enough room for a simple on-rails safari adventure -- albeit one that didn't include even half the total pokémon species from the franchise's first generation.

Nature may be cute and chubby, but ultimately even here it's still red in tooth and claw.

Truth be told, Snap was basically little more than a rail shooter. The difference was that rather than shooting pokémon with guns, players shot them with cameras. This created a different form of challenge than the typical kill-or-be-killed take on the genre, encouraging players not to dominate enemies but rather to excel artistically. Given only a few film roll's worth of shots, how could you best frame each one? Timing, focus, and zoom mattered, and players were scored at the end of each journey to grade their talents as a camera master.

Snap even took on a life of its own through the Pokémon Snap Station, a location-based kiosk service that allowed fans to load up their Snap saves and create stickers from them. For a Pokémon-obsessed kid, it was the equivalent of taking their vacation pictures to the one-hour photomat.

The strangest thing about Pokémon Snap is that there's never really been a proper follow-up despite its popularity. One might think the 3DS, with its gyroscopic motion sensor and AR features, would offer a perfect home for a Pokémon Snap 2. With 10 times as many creatures available in the current generation as were present in the original Snap, there's certainly no shortage of opportunities for original photo scenarios. But as a historical artifact, Snap embodies Nintendo's savvy: Shoring up a weakness in one area by capitalizing on a popular brand in an unexpected but entertaining way. It'll be interesting to see if they can recapture that magic with next week's strategy update announcements.

The best community comments so far 9 comments

  • Damman 3 months ago

    It would be great if Nintendo could recapture what they did with Pokemon Snap. I don't think that necessarily means developing another Pokemon Snap, but discarding their traditional gameplay types to make something unique and interesting, maybe even something unproven.

    When I look at present day Nintendo, it's clear that there is still solid design and mechanics in their games, but very little about them that looks different or unique. Even with A Link Between Worlds and Super Mario 3D World there is stagnation. Both games have been lauded for offering new ideas and twists on their prospective formulas, but they are still very established formulas with little mystery to how they will play. When was the last time a Nintendo game felt mysterious and made you wonder how it would work?

  • MetManMas 3 months ago

    If there's any one Pokémon spinoff I would like to see revisited in a modern sequel or successor, Pokémon Snap is it. With the advancements in 3D game design over the years, better tech, and a wider roster of monsters to choose from, I have no doubt that a potential sequel could potentially be amazing.

    All of the little camera options Pokémon X & Y put into the photo ops were such a tease!

  • docexe 3 months ago

    I have never been a big fan of Pokémon, but I really liked this game back when it launched for the N64. There was just something alluring about seeing the monsters in their natural habitats and taking the perfect picture.

    It’s certainly odd that they never bothered to do a follow up on the concept.

View 9 comments

More from USgamer

Comments

Close